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Acrylics Anonymous, Issue #135 -- Right in the Weeds. July 02, 2025 |
Passionate about painting with acrylics? Need a monthly fix chock full of inspiration? Need some help to take the pain out of your painting process? It's all here for you. Acrylics Anonymous. Zero elitism. Dive in. If you enjoy Acrylics Anonymous, and you know someone who might also enjoy it, you can share by forwarding it to your friends! If you are receiving this because a friend has forwarded this to you, and you would like to subscribe, click here! ![]() Every month, we will produce a Subscribers Only "sealed section" - just keep scrolling to see it. It could be a painting technique, a short video tip, or anything we can think of that we reckon you might enjoy. Please let us know what you think, we love your feedback! To leave comments, contact us here.
![]() ![]() Painters Block!!! Nooooo! This can be circumvented by looking at other artwork. Go to a gallery and really look at how other artists make marks. There is nothing wrong with attempting to recreate whatever inspired you about the work back in the studio, as an exercise to help pull you out of your funk. You never know what ideas that will spark. ![]() News and more news! You may have noticed if you are on our other mailing lists that we are sending more regular emails. If you want to be first in line for workshop news, painting studies, book news and more, make sure you sign up here!
Workshop News There are still 2 spots left for our upcoming: "Moody Tropics" July 19-20 2025 Woolgoolga, NSW Hope you can join us! Click here for the Woolgoolga workshop flyer Click here to make your booking through our contact form "Inspiration, Discovery and Technique" August 30 to September 6 2025 Daku resort, Savusavu, Fiji Click here for more information on Mark's Fiji workshop! We still have a few spots left for our Tassie retreat! "Immersion" Enclave x Mark Waller October 5 to 11th 2025 Winnaleah, Tasmania Hope you can join us! Click here for the Tassie programme :) And click here to make your booking! Introducing Kraftgeek! We have a new partnership with Kraftgeek and particularly their new Inspire Easel. For Mark's experience with it, click below! Read all about it here :) ![]() You can even nominate someone if you like. (Or yourself!). To do this, check out the forum and then send us an email! It’s that easy. This month we're featuring artist Gabrielle, from Normancy, France with her painting "We Are One". Thanks so much for sharing your painting and story with us Gabrielle - a beautiful one indeed, and such glorious contrast in your painting :) Click here for more info on Gabrielle's painting "We Are One". ![]() Dave Pollott is a New York based artist, probably best known for his thrift-shop altered paintings. It started with a question - "Could I take a piece of unwanted art, and without changing its aesthetic, change its meaning by painting into it some bit of pop culture/nostalgia and make it desirable in the modern world?” See his website here And for a wonderful take on Bob Ross (sound ON for this one!) check out this link: See his Instagram post here Gonzalo Pizzaro is an artist using raw industrial materials and a background in architecture to create artwork using compressed wooden panels like you have never seen before! Check out his work via the Artist Replete site here If you have a link you like, please share it with us! You can contact us to let us know. Thank you! ![]() If you have works in progress you would love to show off, or finished pieces you are particularly proud of, we would love to see them! We especially like to hear about the story behind the creation. This month's submission comes again from our fearless leader, Mark! From Mark: "It’s funny what takes your attention. I’ve painted a lot of seascapes, but because the seascapes relate very much to my area, my focus was on particular type of foliage, and a particular type of image. There’s a path to a surf spot that I walk regularly, and I’m always awestruck by just how pretty it is, despite its harshness. Lots of scratchy, scraggly, low coastal shrubbery, with grass trees poking out. It was something that I was going to paint “one day”. And now is “one day”. And now I can’t stop :D I really like the way that particular path sort of meanders through the scrub, giving you an occasional glimpse of the ocean, while the trees and shrubbery along the way lean into the path. It seemed like a long narrow vertical canvas would help with that aspect.
Quite often a wallaby will jump out of the bush in front of you, and there are generally snake tracks, goanna footprints etc all over the track. Now to paint! I sketched in the proportions and elements with thinned Dioxazine Purple, and I wanted a lot of sky in the picture - I wanted to create that lovely spaciousness, and a beautiful clear early Winter’s day. I roughed in all the colour. I painted the horizon line in first, flipped the canvas upside down, and painted the sky up to the horizon line, gradually blending downwards towards the top of the painting, adding more Pthalo Blue and French Ultramarine blue as I went. I then flipped the canvas back up the right way, and coming down from the horizon I painted the water mainly Pthalo Blue, gradually adding a tiny bit of Cadmium Yellow Light and White.
I roughed in all the foliage using a mix of Forest Green and Dioxazine Purple, with a tiny bit of Cadmium Yellow Medium added for the highlights. I also added a mix of Dioxazine Purple, French Ultramarine Blue and a tiny bit of Cadmium Yellow Medium (and White) to rough in the shadows on the path. From there I went back to the sky and started painting the clouds in, thinking that hopefully this would be the last time I’d need to touch the sky. I was wrong. More on that later. Key word, moron. LOL. I then moved to the water. I wanted to get a sense of the ocean being clean and clear and slightly offshore, hinting at the dream all surfers have as they walk down a bush path carrying a surfboard towards the ocean. I placed the whitewash. I then got some sky colour and reflected that on the backs of the waves to give the impression of the swells marching in. Some shadows at the bottom of the whitewash, some lighter blue-greens in the faces of the waves to create the illusion of transparency, and a little bit more re-establishing of the sky being reflected on the backs of the waves, and the water was almost done. (It was in the distance, so didn’t need a lot of detail). I turned my attention to the foliage on the path. One of the intriguing things about this foliage is the combinations of green. In a photograph, it can look quite monotone. But on closer inspection, there is a lot more colour than you can imagine. Time to settle in. I wanted to represent all of the different types of foliage. Banksias, Melaleucas, grass trees and more. That chaotic cacophony of plants that coexist to create that beautiful biodiversity. I wanted to get a sense of the chaos, but still do justice to the beauty of the individual plants. And this is a fine line! I built up the highlights on the tips of the leaves using a variety of brushstrokes, and then changed the colours to represent the variety. I had to remind myself to not be scared of using white. At that time of day there is a lot of white light bouncing around, and it creates contrast and brightness. Time to move into the grass tree on the right. I grabbed a fan brush with the idea of putting in the body of the grass trees’ leaves with that, and then adding the highlights afterwards. Sadly, I was a little impatient and re-opened the paint underneath, dragging it across my carefully created bush, scrub and path. Sadness
ensued. Bleurghhhhh. Recovering from my massive tantrum and crying session, I then painted in the stalk part, thinking I could work on that. I was wrong. I should’ve gone home. Unfortunately the stalk for some reason, painted itself in completely the wrong place. So I went home to bed and sulked.
Upon my return, I realised the error of my ways. Time to repaint the sky I thought I was never going to touch again :) (If only I’d taken my own advice and used Universal Medium to seal the sky in before I painted the stalk I could’ve wiped it off easily). Lesson = probably not learnt. Groundhog day, I went back and repainted the foliage and path because I’d dragged the green all over it the previous day. Time to attack the grass tree again, but this time allowing everything underneath it 24-48 hours to properly dry. From here it was a matter of establishing the stalk, establishing the grass trees in the distance, and then painting all of the leaves of the grass tree in. I wanted them to hang across the path to create the impression that we’d just come round a corner. Unfortunately the second pass over all the foliage and path neatened it up too much, so I beat that up and then finished off the grass tree with a little bit of detail in the
stalk, and some highlights on the leaves. Voila. Until next time, make sure you stay safe and well, and don't forget to chuck some paint around! Cheers from Frankie & Mark :) For our Youtube channel, click here. To join our Youtube channel as a member for a few bucks every month (in exchange for even MORE awesome perks, click here. For our Instagram, click here. For our Threads, Click here. For our Website, click here. For our Facebook page, click here. For our Pinterest, click here. For our Tik Tok, click here. |
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